Tag Archives: Drums in the Night

2015 – A Theatrical Year.

4 Mar

So, as I did after 2014, I felt it was time to write a summary of theatrical exploits in 2015. As I said before, a lot of this is for me to look back and reflect on what went on, and to look forward to the next lot of fun! So without further ado..

 

January- Started the directing journey for Drums in the Night by auditioning the cast.

I entered my short script Blu to Script Factor and won the heat.

February- Rehearsals for Drums in the Night began. I was flattered and excited to be working with such a strong cast and crew on a text which I had studied in the original German at university.

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March- See above!

April- Drums in the Night opened at Friargate Theatre. It was fantastic to be back in the directing chair but the joy of the play was everything coming together as I had envisaged thanks to lots of hard work from everyone.

May- Drums in the Night came to a close and I had my audition for Henry V..

June- Henry V rehearsals start!

July- This always seems to end up being a busy month!

We had the Drama Club Summer play at school – called The School Trip which I co-wrote and co-directed.

Also, it was the 8-11 Youth Theatre’s performance of The Hairdo That Got Away which was great fun.

I put on Blu as part of The Love Arts Festival at Friargate Theatre with my company Bird on Head Theatre.

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.. and it was the Script Factor final. I wrote a play called The Absolute which was based on the theme of Relativity and was about a couple’s relationship, told from after one of their deaths. It came second place!

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August- Henry V rehearsals started up again.

September- See above. That was literally my life for the second half of the year.

I also began to co-run Script York.

October- Henry V with my Barnbows. What more can I say? I loved loved loved this experience. It is hard to put it into words.

November- A bit of a rest but with Script Factor and some Shakespeare meet ups thrown in!

December- Assisting on the school production of The Wizard of Oz to round off the year.

And some of the things I watched..

– South Pacific (York Theatre Royal)

– Les Acteurs et La Dispute (TFTV York)

-Hamlet (Royal Exchange in cinemas)

-Romeo and Juliet (Flanagen Collective)

– Shakespeare in his Cups (YTR)

– Timon of Athens (YSP)

– The Comedy of Errors (Handlebards)

– High Society (Old Vic)

– Henry V (RSC Schools/Hull Truck)

– The Maids (Hedgepig)

– Richard II (Bronzehead)

– In Fog and Falling Snow (YTR/NRM)

– The Railway Children (YTR/NRM)

– Avenue Q (West End tour/GOH)

– Bend it Like Beckham (Phoenix Theatre)

– Dick Whittington and his Meerkat (YTR/NRM)

– The Great Gatsby (The Guild of Misrule)

 

And 2016??

The first project of 2016 is Pericles with The York Shakespeare Project in April. More about that soon…

 

 

 

Drums in the Night

18 Apr

Again, another months’ long silence!

In my last post in January I mentioned some exciting news for 2015, well that exciting news was/is that I am back in the directing chair for Drums in the Night by Bertolt Brecht, performed by York Settlement Community Players who were also behind The Stepmother that I posted so much about.

A week today we will be getting ready to ‘get in’ at Friargate Theatre, where the play will be performed from 30th April – 2nd May.

In my whistle-stop tour of Brecht on my German course at university, I studied the play – Trommeln in der Nacht in German – and it is great to be able to revisit it now and to bring it to life with talented actors and a committed production team.

The play was written when Brecht was still in his early twenties, before his theories of Epic Theatre and Verfremdung, when he was a jobbing writer just wanting to make money! He chose the topical subject of the end of the First World War and the Spartacist Uprising – an uncertain time in Germany: many Berliners starving; soldiers returning with no homes to return to; an abdicated ruler etc etc- and placed a love-story in amongst this backdrop. All humanity is inside its 18 characters – good and bad, crude and innocent, funny and tragic. I think it’s great and I hope, if you come to see it, that you will too.

Emma Dubruel (Anna) and George Stagnell (Kragler). Credit Michael J Oakes (1)